"We put thirty spokes together and call it a wheel;
But it is on the space where there is nothing that the
usefulness of the wheel depends.
We turn clay to make a vessel;
But it is on the space where there is nothing that the
usefulness of the vessel depends.
We pierce doors and windows to make a house;
And it is on this space where there is nothing that
the usefulness of the house depends
Therefore, just as we take advantage of what is,
we should recognize the usefulness of what is not."
- Lao-Tzu (4th century BCE)
Yves Mohy's ceramic piece contains many shapes of things. We see one hand and the suggestion of its mate; we may assume that both hands belong to the same person without certainty. The thumbs create a steeple within a steeple reminiscent of a children's game Mohy's Hands show prints of the maker's hands visibly in contrast to the smoothness of the black base. The areas around and in between the object's parts are essential to its impact.
The significance of negative space has never been more salient than at this moment. Negative space could be another term for social distancing. A steeple is a signal sender to faraway receivers, again suggesting social distancing.
"Nothing that is not there and the nothing that is." - Wallace Stevens
The significance of negative space has never been more salient than at this moment. Negative space could be another term for social distancing. A steeple is a signal sender to faraway receivers, again suggesting social distancing.
"Nothing that is not there and the nothing that is." - Wallace Stevens
Image: Yves Mohy (1929-2004) - Hands, 2003, ceramic, Cite de la Ceramique, Sevres.